I was sitting idly, listening to someone comment on the latest whatever on television and watching my index finger as I moved it up and down. I don’t generally focus on such things, but in this case I did and noticed that in the moving, I could feel as well as see the motion of the tendon against the inside of my skin. It was a strange experience. Of course, I had to see if the same was true for the other fingers. Yes. There it was again. Like a child discovering something for the first time, I found it fascinating.
Truly, I hadn’t noticed much about my hands while using them purposefully. Naturally, if I am occupied with practicing or cooking or sewing or whatever, why would I? But sitting alone and paying attention to pretty much nothing, it was my hands that caught my eye.
Really, I think they are not all that remarkable save for the fact that I appreciate having them and value what they can do. I love the moment when, on the piano keyboard things are going well, there is this floating sensation. I don’t think about where my fingers are going. They just go. It’s muscle memory. The result of this muscle memory is wonderful music in my ears and the awareness of my hands on the keyboard. The same is true when I am behind my bassoon and are having a good day of practice or an extraordinary performance. It’s the music, not the muscle that moves me forward. My middle school students freaked out when I made a habit of watching them and typing whatever on the computer. My fingers know where to go. I do not need to watch my fingers when I can keep track of my students.
Nevertheless, I have been thinking about hands lately. Consider the hands of a newborn. They open and close as the infant throws his hands out when startled. Best of all, though, they clasp a parent’s finger when it is offered. Yes, that’s a reflex, but one that I thinks binds parent and child. There aren’t many things more beautiful than a baby’s hand. Soft, pudgy, with infinitesimally small fingernails. Watching that hand develop through the years is amazing. Soon enough the child tries to navigate Cheerios into his mouth. When there is success? Elation! Wow! Then, of course, everything goes into his mouth. Caveat parens.
Hands grow as we grow. They develop fine motor skills of wonderous dexterity. When I look at pictures of my younger self, my hands are smooth and capable. They are still capable, but now the backs of my hands are ropy with prominent veins and brown spots. They are the hands of an old lady. They are strong enough to open a pickle jar and dexterous enough to liberate a sliver, but they no longer have the smooth, rosy beauty of my youth. I can’t say that I would hide my hands these days. They are what they are. In truth, they go with my face.
On the other hand, my hands read like a roadmap. There are a few scars and a callous is built up on the middle finger where the pen rests against it as I write. It is interesting to watch them work sometimes in a sort of detachment—they are hands that are attached to my wrists, but they are simply interesting to watch. They accomplish tasks I don’t consciously think about. Knit, purl, chain stitch, chop celery. They do it all. Interesting to watch, but sometimes it’s a dangerous practice not to pay close attention. I learned not to chop onions when angry at the Hubs. Learned the hard way and it took some time for the tip of my chopped off pinky finger to heal. Now when I am chopping away, getting supper ready, I make sure I have accounted for all my fingers on top of the kitchen knife. I do appreciate having ten functioning fingers.
I have come to notice the hands of others. The actors on Grey’s Anatomy have beautiful hands. Yes, I know, they are surgeons and should have beautiful hands. Ellen Pompeo has lovely long fingers that are so well kept. None of them have long artificial nails. Their nails are clipped short like those of concert pianists. Stiletto nails simply will not do in surgical gloves. If they are wearing polish, it must be clear. In the hospital scenes, I never see polish. And no, I don’t wear polish most of the time. For some reason, polish makes my fingers feel icky. Heavy. I know I wore some light pink pearl on my wedding day and once or twice my son decided to polish my toenails, but to tell the truth, these days, nail polish is for the backs of bracelets that turn my wrists green. What can I say?
With the advent of fluent texting I have come to wonder whether it is easier to teach bassoon students to use the thumb keys. The bassoon is the one instrument that has multiple keys that depend on the thumbs to extend the range both high and low. A bassoonist not only uses the tip of the thumb but the side and the first joint as well. I once woke from a nightmare wherein I had lost my right thumb. Bam! Career over. At first, it is awkward for a beginner to use these keys easily. It takes practice. Now, given how often and how frequently students text, they might catch on more quickly. Inquiring minds want to know. The bow hand of a cellist is a thing of beauty. Sensual. Watching Yo-Yo Ma play a concerto is transcendental in more ways than one.
I leave you, dear reader, not with my words, but with those of Hawkeye Pierce, who, in an episode of M*A*S*H, riffed on the beauty of the hand when trying to stay awake, waiting to be rescued after sustaining a head injury in a jeep accident. His words may have been a subliminal inspiration for my own. He says:
“Look at your hand. It’s one of the most incredible instruments in the universe.
Of all the bones in the body, one fourth are in the hand.
Forget the hand. Look at your thumb; that wondrous mechanism that separates us from the other animals.
The world-famous opposable thumb, that amazing device, that has transported more students to college than the Boston post road. Ideal for sucking, especially as a baby, and lauded in song and story as the perfect instrument for pulling out a plum.Or, in the case of the Caesars, for holding it down for the gladiator to die, or holding it up, which means “See you later at the orgy.” My friends, for getting up and down the pike, in your pie, in your eye, I give you the thumb.
Have you any idea, Farmer Brown, of the incredible complexity of this piece of human apparatus?
Of course not. Never having spent any time at Sol and Sol’s swilling borscht and jamming Latin into your brain while trying to imagine if Lefty the waitress is wearing a garter belt, you have no idea of the balletic interplay of parts that make up the human thumb.The flexor ossis metacarpi pollicis flexes the metacarpal bone, that is, draws it inward over the palm, thus producing the movement of opposition. And the Boy Scout salute. Because of this magical engineering, we could do this. And this. And this.
But our greatest triumph comes not from flexing the metacarpal bone and making a fist,
which always seems to be thirsting to be clenched…No, no, no, no, no.
Our greatest moment is when we open our hand:Cradling a glass of wine, cupping a loved one’s chin. And the best… the most expert of all…
“Hawkeye” aired on Jan 13, 1976;
keeping all the objects of our life in the air at the same time. [begins to juggle] My friends, for your amusement and bemusement, I give you the human person. Thumb and fingers flexing madly, straining to keep aloft the leaden realities of life: ignorance, death and madness. Thus we create for ourselves the illusion that we have power,that we are in control, that we are… loved”


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