Time for a mixed bag of thoughts on books. Some fiction; some nonfiction; perhaps a dramatic script. It’s all a bit of a reading buffet, I think.
Let’s consider another Louise Erdrich, this time The Night Watchman. This was Erdrich’s Pulitzer Prize novel and one of many that she has written that focuses on the Native American experience. The focus for The Night Watchman is based on the experience of the author’s grandfather, who took on the US Government’s Termination Bill, which proposed to eliminate Native reservations and push the population into the cities. While the government claimed that jobs would be available, the Native’s experience was far from that which the government offered. The tribal elders worked over several years, gathering information and facts to support their argument in order to send a delegation to D.C. to appear and argue for the Turtle Mountain reservation. I was inspired by their persistence and their work.
There are several story threads in Erdrich’s work. While there is a strand that focuses on a teacher who organizes a boxing gym and his protégé, Wood Mountain. Another compelling line is that of Patrice “Pixie” Paranteau, who works at the same manufacturing plant as Thomas Wazhasnk, the title’s night watchman. Patrice, 19, has been class valedictorian and is the first person in the family to have a “white people’s job.” It is she who leaves the reservation in search of her sister Vera who has not been heard from since she married and left for Minneapolis. Patrice’s search takes her to the sleazier side of the city, where together with Wood Mountain, she manages to survive and enjoy what seems, at first, limited success.
In the end, I found the book satisfying, but discouraged over the experiences of the characters and the truth that supports Erdrich’s narrative. One would think that we could do better. There is no promise that the federal government has kept–ever, and Erdrich’s story simply supports that fact.
Certainly far from Erdrich’s narrative is Rachel Kopelke Dale’s The Ballerinas. Three young girls meet in the prestigious Paris Opera Ballet School, one the daughter of a POB “star,” Delphine, one an American with virtuosic but raw talent, and one schooled from the beginning at the POB. Delphine left the school to travel to Russia with her dancer/choreographer significant other, who told her that she would never become the star her mother had been and that she should study choreography to advance her career in the art of ballet.
Delphine returns to Paris along, having been dumped by her boyfriend, to develop the ballet that she thinks will establish her as a choreographer in the Paris Opera Ballet. Things are seldom what they seem to be, and in reuniting with her friends, the reader bounces back between the trio in adolescence and in adulthood. There are the tropes of the predatory male dancer who works his way through the population of young dancers in the school, the artistic process of developing a full length story ballet that involves that same male dancer and his ego, as well as the ups and downs of reuniting with friends who have changed as the years have gone on.
Right about the time I thought the narrative would fade, not with a bang but a whimper, the plot picks up and the fireworks start. The “gun” we saw in an earlier chapter returns to fire and in the end, there is a comeuppance and a success. This is, I think, a basic beach read, but for all of that, I was content in having read it.
Moving right along, consider Stuart Stevens’ It Was All A Lie: How the Republican Party Became Donald Trump. Yes, I have read a good many politically-based books over the past five years. Yes, I have considerable difficulty reading those that claim that Donald J. Trump is somehow a vessel that God sent to save the country, no matter how flawed he is. Stevens was a political operative, having worked on several campaigns, electing Republicans on all levels. His book makes the effort to show that the current condition of the GOP is nothing particularly new, but that “Trump is in fact the natural outcome of five decades of hypocrisy and self-delusion, dating all the way back to the civil rights legislation of the early 1960s. Stevens shows how racism has always lurked in the modern GOP’s DNA, from Goldwater’s opposition to desegregation to Ronald Reagan’s welfare queens and states’ rights rhetoric. He gives an insider’s account of the rank hypocrisy of the party’s claims to embody “family values,” and shows how the party’s vaunted commitment to fiscal responsibility has been a charade since the 1980s. When a party stands for nothing, he argues, it is only natural that it will be taken over by the loudest and angriest voices in the room.”1 This was not particularly new information, given how long I have had to observe Republican candidates and how much other reading I have done, but this is a particularly readable volume. Stevens does a good job of tracing the history of the actions of the party, especially in the South; especially in relation to white supremacy; especially steeped within the evangelical movement. While it left me not with a total book hangover, what Stevens had to say has reverberated for some time.
I enjoy watching the annual Tony awards as well as the Kennedy Center Honors every year. This year a particular title was called several times: Take Me Out, a drama by Richard Greenburg. Fortunately, our library’s collection includes scripts and, of course, I had to check it out. Truly, it’s about baseball. How could I not? Take Me Out looks at the complex relationships in professional baseball. Before the play opens the protagonist, Darren Lemming, has come out as gay. Darren, the fans, his teammates, the opposition, are all forced to examine what it means when America’s favorite pastime has a gay man of color as one of its stars. As the team moves closer to the playoffs, events happen that make everyone, audience included, question the price of victory. I would love to see this drama live sometime, though I am not entirely certain that it would be our local repertory theater that will take the risk.
Finally, Erin L. Thompson’s Smashing Statues: The Rise and Fall of America’s Public Monuments is a timely book that I hope more people read. I rank it as a companion to Ty Seidule’s Robert E. Lee and Me: A Southerner’s Reckoning with the Myth of the Lost Cause. I think Thompson’s is a book that, if I were teaching history, I would include at least a few chapters in a class read, research, and discuss project. There was an old AP Language exam prompt that asked the writer to discuss the sort of things that should be considered when creating a memorial of any sort. Who or what should we memorialize? How should it be designed? Where should such a memorial be established? Of what should it be constructed? Smashing Statues looks at many of these aspects in light of the current arguments for removing monuments that venerate the Lost Cause of the Confederacy. She looks at the history of the movement to erect statuary as well as the reasons so many statues were constructed.
She further discusses what is and what could be done with statues that have been removed. Of course, there is the problem of the Confederate Memorial carving on Stone Mountain, Georgia. It is certainly difficult to move it and to simply obliterate it echoes the Taliban’s destruction of the Buddhas at Bamyan in 2001. Personally, I am for contextualizing Confederate monuments. Put them in a museum, in a sculpture park, somewhere where we can appreciate the art work without venerating the subject. I think the same would apply to the Lincoln Emancipator/Kneeling Slave Emancipation Memorial. I know that the copy that stood in Boston has been removed,2 though I know not what has happened since. The discussion was an interesting one. In the end, I agree that this is a complicated issue that needs to be included if we are to take one small step toward a more perfect union for everyone.
1 https://www.goodreads.com/en/book/show/48806578-it-was-all-a-lie
2 https://apnews.com/article/marty-walsh-us-news-1bbe10800ca102f9af56a6a04615adb5
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