It has been a crazy few days, hence the too long break from my page. On the other hand, I am always up for thinking about books. I recall what is probably an apocryphal story about the composer Vaclav Nelhybel, who, when he first emigrated to the US from Czechoslovakia, happened to hear a school band playing a concert in the park. He asked his companion what this was all about. His companion replied that schools in the United States had wind bands as part of the curriculum. Students generally began around age 11 and proceeded to play at least through high school. HIs response? Oh! Market! Nelhybel went on to be a well-published composer of works on a variety of levels for band and orchestra.
What does this have to do with young adult readers? Somewhen in time, perhaps a couple of decades ago, someone discovered the YA market. In recent years, this market has exploded and publications abound for this audience. Recently the library has sponsored a vote for the local YA novel of the year. Of course, I had to dive into the list to see what was available. It was a mixed bag, with a few winners, the occasional prosaic read (not quite meh) and the “this novel definitely was not written for me.” Two of these were wonderful reads, well worth my time. I would encourage anyone to pick these up: Angeline Boulley’s The Firekeeper’s Daughter and Traci Chee’s We Are Not Free.
First, Angeline Boulley. Set in Sault Ste Marie, Michigan, The Firekeeper’s Daughter features Daunis of the Ojibwe tribe, a recent high school graduate who has postponed starting college to care for her fragile mother after a family tragedy. From the beginning, this narrative grabbed me. I loved its first person voice and the beauty of Boulley’s writing. I appreciated the author’s focus on Native traditions, on the relationship between the children and their elders, and on the narrative’s fast pace. Daunis has not had an easy time fitting in, but her prowess on the ice as part of the local hockey team is legendary and the latest recruit on the team catches her eye. She suspects he is hiding something, and winds up being involved in rooting out the source of corruption on the reservation. I even found myself fascinated by the cover art:

The only disappointment I feel is that this book is to become a Netflix movie. That indicates to me that it will be watched rather than read, and it is in the reading that this book comes alive. Yes, there is value in the production, but I cannot imagine that the film will be nearly as good as was this read.
There have been books about the internment of the Japanese in the US at the outset of WW II, but so far, for me, the best has been Traci Chee’s We Are Not Free. I’ve read the classic Farewell to Manzanar and George Takei’s recent graphic novel, They Called Us Enemy, but We are Not Free has been the most engaging. The story picks up in San Francisco’s Japantown just before the bombing of Pearl Harbor and follows fourteen teenagers through the years of the war. Rumors are rife early in the narrative, about problems to come as each of the teenagers are introduced. When the worst happens and they are forced to camps in Utah, they form their own community and support each other. The most salient feature is the anger they feel that burns off the page, unlike other narratives I have read. Their anger is almost palpable. Who could blame them? They were second-generation, Nisei, who were born in the US and had neither knowledge of nor loyalty to Japan. The narrative includes the time until they were released around 1945. It was easy to care about these young men and women, easy to get involved in their lives and that need to know more pulls the reader through the book.
Some time ago, my students recommended The Sun is Also a Star by Nicola Yoon. At the time, I was swamped and never got around to reading it. Then I found a copy on the dollar cart at the library. Of course, I picked it up. Daniel, a Korean boy on his way to an interview for admission to Yale, and Natasha is twelve hours away from being deported back to Jamaica. The story is a series of improbable events and what one might consider fateful crossing of paths between the boy who wants to be a poet and who believes in fate and the girl who believes in science, in numbers and facts. I found the writing delightful. The criss-crossings of these two, their interactions, and ultimately their ending, was simply fun. I understand now why my students enjoyed this one so much.
Finally there was the prosaic, Pumpkin by Julie Murphy. This is the third of a series of three titles: Dumplin, Puddin, and Pumpkin, that deal with students who are “other.” They are not the the A-listers, or the cheerleaders, but they are those whose lives are also important in the scheme of high school social life and who intend to challenge the system and live their true selves. Picture Waylon Brewster, ginger-haired, and openly gay in a small town in West Texas. He wants to move to Austin with his twin sister and go full-out Waylon in ways that he feels he cannot do in Clover City. His ultimate goal is to be part of his favorite TV show, The Fiercest of them All. When things go badly in life, he records an audition tape which, of course, goes viral. As a joke, he is nominated for prom queen. Likewise his twin’s girlfriend, Hannah, is nominated for prom king. This is where things get interesting as being nominated for prom court is far more than posters and campaigning at this high school. In truth, I think more high schools should adopt the same process. It might bring more meaning beyond a single night and a dollar store crown. While Murphy’s prose is not as elegant as Boulley’s, her intent is worthy and the story is entertaining. For students looking for something entertaining to read that is not the tome that these other titles are, Pumpkin is certainly worth their time.
The novel not written for me? One of the Good Ones by sisters Marika Moulite and Maritza Moulite. It isn’t at all the issues involved in the plot, but the way the narrative jumped around. I know that the first few chapters of any book is the author merely clearing his throat at the outset of the conversation between reader and author, but the jerkiness of the narrative was bothersome for me–written more, I think, for younger people who are used to this sort of writing. There will come a day, I am sure, that I will go back to this novel, but after the elegance of so many well written books, this one was jarring. I intend to have better luck on the second try.
So there it is. . .the writer’s response to Market! I have gone on to other genres and other authors since this plunge into the YA shelf. More notes from the book log are to come.

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